Can you believe it? We’re already halfway through the season! There are now only five episodes of season 6 left. Last week the show did some fan service and gave us some amazing and heartwarming scenes, like Daenerys’ rebirth and Jon and Sansa reuniting (you can read my review for that episode here). I knew that after giving us an episode with so many happy and hopeful scenes, things were only going to get worse, and unfortunately, I was right. Episode 5 was probably the most gut-wrenching episode we’ve had this season, with the final scene revealing the answer to a question many fans had been wondering from the first episode of the show, why does Hodor say “Hodor?”
We begin the episode at the Night’s Watch, and it seems like some time has past since the last episode. Sansa receives a letter from Littlefinger, and meets with him at Mole’s Town, along with Brienne. This scene was both amazing and painful to watch. Sansa is no longer the naive little girl she once was, she’s been through so much suffering, and it’s made her stronger. She doesn’t give Littlefinger a chance to play around with words and manipulate her, she’s direct in her approach and accuses him for leaving her with Ramsay. It’s a rare moment when we see Littlefinger utterly speechless. For a character that has been involved in so many schemes and caused so many deaths, it’s refreshing to see him getting called out for his actions. Sansa demands to know what he thinks Ramsay did to her, and Petyr reluctantly answers, asking whether she was beaten and cut. Sansa acknowledges his response, and also implies on how she was raped by him. Littlefinger seems genuinely sorry, he had underestimated Ramsay and tells Sansa he will do anything to protect her, however Sansa has had enough of him. She refuses his and the Vale’s help, and tells him to leave. Before departing Littlefinger gives her some final advice, that her great-uncle Brynden Tully has retaken Riverrun and that she should go ask for his help.
Back at Castle Black Jon and Davos are going over battle plans, and they realise they are short of men. Jon decides that they will need to recruit from all the other smaller houses of the North to get enough men. Sansa tells them that the North remembers, and there are still those who are loyal to House Stark. Davos questions this, saying that Jon doesn’t have the Stark name, but Sansa reminds him that she is a Stark. Jon almost seems taken aback or offended in this scene, possibly because he wasn’t referred to as a Stark. Sansa also tells him that House Tully has an army after the Blackfish returned, but she lies about how she gained that information. It’s possible she doesn’t want to talk about Littlefinger and the Knight’s of the Vale in case Jon wants their help, as she doesn’t want anything to do with Littlefinger. They all depart Castle Black to rally the Northern Houses, while Sansa sends Brienne to Riverrun to get the Tully’s help.
Arya continues her trying with the Faceless Men, and is given her first task by Jaqen. She is sent to kill an actress who is performing a play. It’s not just any play however, as Arya sits in the crowd we realise that this play is a reenactment of the death of King Robert Baratheon and Ned Stark. Now I don’t know if Jaqen purposely sent her on this mission to see how she would react or if it was just a coincidence. The actress Arya has to kill is the one portraying Cersei Lannister, a character who is already on Arya’s hit list. After Arya returns to Jaqen, she asks him various questions about the task, making her seem reluctant. She notes that the actress she has been sent to kill seems like a decent women, and she believes the younger actress from the cast is jealous of her. Interestingly, the younger actress portrayed Sansa in the play. Arya killing the older actress would enable the younger one to get a larger role in the play. This could possibly forshadow Arya killing the real Cersei Lannister in the future, which may directly influence Sansa’s story in the long run.
A major plot from the books is finally included, the Kingsmoot. With Balon dead the Iron Island needs a new leader, and Yara elects herself. Theon is there to support her, as are the men who Yara has captained on her ship. However Euron Greyjoy arrives, and is quick to admit that he was the one who killed Balon. The Ironborn almost replicate the Dothraki here, they follow the strongest. Euron promises them riches and glory, after he builds his fleet of a thousand ships. He’s heard about Daenerys and intends to marry her. As his crowning (or drowning) ceremony begins, Theon, Yara and men loyal to them gallivant away from the Iron Islands, taking the best ships with them. It will be interesting to see where they plan to go.
We have a quick scene here where we see the Dothraki preparing to leave for Meereen. Daenerys is confronted with Jorah, where she admits that she can’t banish him or keep him by her side. Under the watchful eyes of Daario, Jorah makes the decision for her. He shows her his affliction with Grey Scale, and after finally admitting that he loves her, he turns to leave. Daenerys commands him to stay put. This was probably my favourite Daenerys scene of this season. I’ve never considered Emilia Clarke to be a great actress, but she did a brilliant job during this scene. Daenerys tells Jorah that he must find a cure for his greyscale, and then come back to her, as she wants him by her side when she takes Westeros. Though he’s still in the friendzone, I’m glad Jorah’s finally been forgiven. Unfortunately after spending half the season looking for Daenerys, he will once again become Jorah the Explorer, as he tries to find a cure.
After his pact with the Masters of Yunkai and Astapor, Tyrion has managed to bring a fragile peace into the city. However that isn’t enough for the Lannister, he wants to people of Meereen to know that it is because of Daenerys that they have peace. His idea is to use religion as his propaganda machine, and so calls upon the High Priestess of the Lord of Light. Kinvara is more than willing to spread the message of Daenerys’ greatness, as she believes Daenerys is the Price who was Promised, rather than Stannis or Jon, who Melisandre is currently serving. Varys is very sceptical of her, possibly because she is willing to have any non-believers burnt by Daenerys’ dragons. However he is taken aback when Kinvara mentions his castration, and talks about the voices he heard in the fire that night. It is strange to see Varys so intimidated and surprised. It will be interesting to see if this Red Woman has the same effect on Daenerys that Melisandre had on Stannis.
North of the Wall
Bran’s storyline is where this episode excelled. It’s been a while since we’ve had an episode this intense, this well paced with such great twists. We start off with Bran and the Three Eyed Raven (Bloodraven) in another vision. They see a few Children of the Forest sitting around the same heart tree under which Bran is currently living, only there is no snow, and it’s summer. From the weather alone it is evident that this vision is from a long time ago. There is a man tied on to the heart tree, and we see Leaf approach him, holding what seems to resemble a dragonglass blade. She pushes the blade into the man’s chest, and his eyes turn icy blue. We now get one of the biggest revelations of the series, the Children of the Forest are the ones who created the White Walkers. For those of you who don’t know, the Children of the Forest used to be the only inhabitants of Westeros, until the arrival of the First Men. They fought with man for over 2000 years before making a pact and making peace. However having lost many of their own during the war, it seems that the Children decided to make White Walkers as a weapon against man. Leaf says as much to Bran, telling him that they were facing extinction. However the Children lost control over the White Walkers, which led to the Long Night.
Later on while the others sleep in the cave, Bran decides to use the heart tree to access more visions. He is transported to the White Walker army. As he walks past them, he eventually ends up in front of the Night’s King. While all the other White Walkers had been oblivious to Bran, the Night’s King turns to look at him, and suddenly so do all the others. As Bran begins to panic, the Night’s King grabs on to his arm, causing Bran to scream and wake up from the vision. The other’s hear Bran and wake up as well, and Bloodraven tells Bran that he has been marked by the Night’s King, so they are no longer safe in the cave. As Meera and Hodor begin preparing for their departure, Bloodraven takes Bran into another vision one last time.
They’re back in Winterfell, and we see Rickard Stark, Bran’s grandfather, saying goodbye to Ned as he prepares to leave for the Eyrie. While still in the vision, the White Walkers arrive to the cave and Meera desperately tries to wake Bran up. The Children are able to hold off the Wights, but the White Walkers enter the cave where they begin killing the Children in the Forest. Meera throws a dragonglass spear and is able to kill one of them, however the Wights break in through the roof of the cave and even with the help of Summer and the Children, they can’t hold them back. Meera screams at Bran to warg into Hodor, so that he can pick up Bran and get them out of the cave. Bran can hear Meera’s voice while he’s still in the vision, and Bloodraven tells him to “listen to your friend”, which makes me think he had this planned all along, or at least knew it was coming. Bran focuses on the young Wylis in front of him, and is able to warg into Hodor. He picks up the art carrying his body and runs deeper through the cave with Meera. Summer stays behind and attacks the wights, however he is overpowered and is killed while protecting his master. I’m honestly sick of the Stark children losing their Direwolves! We just lost Shaggy Dog two episodes ago, and Summer has been so important to Bran’s storyline and helped with his warging ability. His death had no impact on the plot, it wasn’t necessary, and I feel these direwolves are just being killed off to save the shows CGI budget.
As they continue running through the cave, Leaf, the last of the Children, sacrifices herself to give them more time to escape. She is killed by the monsters she helped create. There is a door leading to the exit of the cave, and after going through with Bran, Meera screams at Hodor to “hold the door”. This was one of the most tragic and heart-wrenching scenes from this show. Bran is still inside his vision at Winterfell, and the young Wylis turns around to look at him, before collapsing on the floor. Somehow his mind became linked with his future self, and he begins shouting “hold the door”. As the present Hodor still stays behind holding the door, the wights are able to break through and they begin tearing and stabbing at him. In the vision, Wylis continues to shout “hold the door”, mirroring the final words Hodor is hearing, until the words become a mumble and eventually begin to sound like “Hodor.” With his mind still linked to Hodor as he dies, Wylis seems to lose all ability to speak. Hodor dies while fulfilling his destiny, his fate had been decided decades before Bran was even born and he died holding the door so that Bran and Meera could escape. This death was unlike any other I’ve witnessed on this show. Hodor was one of the few characters who has been alive from episode 1, and has turned into an iconic character purely because of his name. He seemed like the comic relief in Bran’s story, the half giant who could only say his name. That name had become a joke within this fandom, and to find that it’s origin came from such a tragic event is heartbreaking.
Game Of Thrones Season 8 Episode 5 Review: “The Bells”
Ever since that moment when Daenerys claimed the Unsullied in season three, I knew. I knew that Game of Thrones was leading up to a character arc that we are not used to in popular fantasy. That we would be made to root for the girl who would become the direst villain, the “boss battle,” and that would be the show’s biggest twist of all.
After I formed this theory, it was easy upon re-watch to confirm with myself that there was just too much foreshadowing to deny what would inevitably be Daenerys’ evil turn (though listing all that foreshadowing would be longer than this review).
The truth is, she’s never been nice. She’s been through a lot, but she’s always been a narcissist, bordering on psychopathy. Her go-to has always been to murder people who disagree with her, to burn people alive in order to proclaim her power. So, with the penultimate episode of the show, it turns out that ol’ Robert Baratheon was right to want to kill the child Targaryen in the first place. She’s done what she always said, and taken what she wants, what is “hers,” with fire and blood.
Maybe pledging allegiance to a Targaryen wasn’t the best idea after all (though I’d rather be on the winning side than burnt to a crisp). It turns out, members of that family are prone to violence and madness. But that should not have come as a surprise. The trouble is that we were all taken in by her charisma. We rooted for her as she climbed her way from being a victim to a Khaleesi and a Queen.
But season 8 has left her ravaged. She lost the forces around her that humanized her. Two of her dragons, her advisors, her closest friends, her lover (not dead, but distant), most of her army. And all the while, although she sacrificed so much in order to protect the North and the world from the White Walkers, did she get the appreciation she deserved? It’s true that Arya struck the killing blow on the Night King, but without Dany’s dragons, her forces, and her dragonglass, the war would have been over before it began. No, instead of thanks, she gets bitchy side-eye from Sansa, she witnesses Jon being praised in her place, and her remaining advisors are working against her.
So now Daenerys is alone. And as Maester Aemon once said, “A Targaryen alone in the world is a terrible thing.” Plus, in addition to everything she’s lost, she’s going through an awkward breakup with her nephew, and that nephew just happens to be in a position to take the throne from her.
Given the title of the episode, it was pretty clear, but the moment Tyrion started to implore Daenerys to cease the attack once the bells of King’s Landing rang, it was a done deal. Dany would win, but she would not stop. “Dracarys,” as Missandei summarized.
If you thought there would be a different ending, you haven’t been paying attention.
The Targaryen army, backed by the North, quickly levelled the playing field. It went from a battle to slaughter in almost no time. The Golden Company, for all the build-up, were practically useless. Maybe it would have been different if there were elephants. (Actually, I am glad I didn’t have to watch countless elephants being burned alive.)
It turns out Varys was right. Daenerys has lost what little cool she was holding onto. Jon and Tyrion are surprised, as though this is out of the blue. But both betrayed her. And, hells, I’ve been through breakups myself when I’ve wanted to burn everything to the ground.
So begins a cinematic immersion into the ravages of dragon fire. Arya, who turned from her quest to kill Cersei at the behest of the Hound, became our eyes on the ground, the audience’s way into the chaos. It also made it more real; it’s been easy for viewers to write off enemies being burned alive for the whole series. It’s a little different here because there are innocents, women, and children, but to truly put a human emotion to the devastation, we had to put a character we love in harm’s way.
Not much dialogue was necessary. As we watched Arya fleeing for her life as those around her are burned and crushed and destroyed, we can understand the nihilism, the meaninglessness of this attack. But acts of war happen like this, in both Westeros and Earth, all the time. Not with dragons, sure, but with whatever weapons those fighting for power can muster.
All of this is astounding, especially as we watch other characters’ impotence in the face of this carnage. Jon and Tyrion are in shock. Cersei, viewing the city from the same vantage point where she once burned the sept to the ground, can’t believe what she’s seeing. With all the scorpion bows taken out, there’s nothing she can do.
All of these are the amazing ingredients of a visually stunning episode. Unfortunately, the big twist of Daenerys’ turn didn’t land properly because of a season that has been entirely too rushed. The burden to go full-Targaryen happened over less than an episode, and rode on the shoulders of an actress who, while charismatic, has never been good at complexity.
Add to that a bafflingly unjustified fight between Euron and Jaime, Cleganebowl, and unsatisfying Lannister deaths, there were just too many rocky elements.
First off all, the Euron/Jaime fight was pretty much the dumbest thing I’ve ever seen. It was too convenient, made no sense, and added nothing to the plot, the tension, or the characters. If you wanted to kill-off Euron, just have him burned up by Drogon. Or kill him later, in front of Cersei, where Jaime and Euron could fight with consequence over who gets to be the father. Euron’s blows didn’t matter anyway, because Jaime was going to die in just a little bit, whether he was stabbed or not.
As Cersei decides to flee, that’s when the Hound finds the Mountain. This was the biggest piece of fan service in the entire show. That doesn’t necessarily discredit the fight, but it was just so sorely implausible. It was like watching an anime battle segment in the middle of my favorite fantasy show. It felt out of place. The Hound, who was barely a match for his older brother before he got all zombie-beefed up, somehow holds his ground (the Mountain, by the way, having the high ground to begin with). The Mountain’s armor conveniently falls away so we can see his special FX body. And a knife through the face doesn’t do anything? Really? No, but, REALLY?
The best thing about the fight was the moment when the Mountain shoved his thumbs into Sandor’s eyes, conjuring up our latent trauma from his fight with the Red Viper back in season 4. It was a fake-out, but this episode offered up enough wanton destruction without a skull crushing, so I was thankful.
And then there were the deaths of the Lannister twins. My qualms aren’t with how they died, per say. It’s a fair complaint that after all that build-up and villainy, they get killed by… some rocks. But the stone the siblings are crushed by is the very Red Keep itself, the place where Cersei found her power, and which she was convinced would never fall.
I’m not even upset about Cersei’s emotions, her vulnerability coming out as she is faced with her mortality. It was actually nice to see her be unguarded. Because she is not a simple cartoon villain, so, yes, she would be afraid and lost in that moment. And the love that she and Jaime shared, although foul and wretched and so many complicated things, was beautiful. They left this world as they entered it. Together.
My qualm is how it felt. Cersei and Jaime were such dynamic characters. Either you loved them or you hated them, but you couldn’t really be apathetic toward them. So, if I hated them, I wanted to see them suffer. And if I loved them, I wanted to see them die so that I could feel that loss. But I got neither. It feels unreal. Hell, Qyburn’s quick death was more affecting than Cersei or Jaime’s. I don’t get to mourn two characters who have earned that emotional response from audiences over the years.
None the less, Daenerys has officially defeated the Lannisters, and all she has to do now is physically claim the throne. Aside from the Unsullied, the Dothraki, and Drogon, no one is going to be pleased with her. How will it play out? There is only one episode left to tie up all loose ends.
Will Daenerys remain Queen? My bet is no. She and Drogon probably have to die, though I have no idea what could possibly kill a dragon at this point, aside from intervention from the Lord of Light himself (but he’s probably a huge fan of the fire girl) or Bran with his warging abilities (but he’s all the way in Winterfell, and is usually pretty useless).
Is Arya riding to assassinate the Queen, or is she riding away from violence for good, or into the afterlife? While those last two theories are sweet, I do think that Arya has some unfinished business to take care of, and I really hope she gets to take out Daenerys before she is killed instead.
And what about Jon Snow? What will his honor make him do in the aftermath of all the carnage? WWNSD? (What Would Ned Stark Do?) Will he and Tyrion team up before Daenerys “burns them all”? What, if anything, will Sansa and Bran do from the North?
And, most importantly, who will wind up on the Iron Throne?
Game Of Thrones Season 8 Episode 4 Review: “The Last of the Starks”
In order to really discuss any episode of this season, we have to come to terms with a few things. We have to understand that Game of Thrones isn’t the same as it was at its height. No, it’s not fair, but we simply have to accept it. For everything Game of Thrones did to change television as we know it – and the hearts and minds of its fans in the process – the show has succumbed to lazy writing, illogic, fast-travel, and what seems undeniably like showrunner burnout as we rush unnecessarily through content that might otherwise be gripping.
We can’t hold GoT up to the standards of seasons three and four anymore. It’s been a decline since they started running out of source material. Yet, we still have many of the characters we’ve grown to love over that time. So, our investment is a confused, heartbroken one.
Keeping all this in mind, “The Last of the Starks” is the best episode season 8 thus far. The first two eps were too precious, looking at death and mortality from the shallowest angle, and milking nostalgia that didn’t pay off in the Battle of Winterfell because we didn’t lose any core characters. “The Long Night” was cinematically monumental– yes, even if you think it was too damn dark — but it reduced the show’s sweeping arch into a blockbuster movie.
Feel how you want about the big battle last episode. There are reasons to love it and reasons to hate it, and it’s okay to feel any or all of those things. Game of Thrones fans are now the most volatile they’ve ever been, at each other’s throats in their rage and their pain over the quality, or lack thereof of the show that is so special to them.
“The Last of the Starks” was sloppy (Starbucks cup, anyone?) and rushed, it provided what some consider fan-service, and it did nothing to clean the bitter taste out of some viewers’ mouths. But what it did was return the focus to the political, and to interpersonal relationships. We return to mortal matters. And to be honest, that’s what the show has always done best.
After a sombre check-in with the corpses of the expendable characters we lost last episode, Jon Snow gives a heartfelt speech over their funeral pyres, and it’s time to party.
Of course, everyone is going to want to drink ‘til they black out and find someone to warm their bed. Everyone thought they were going to die. They saw their comrades die (no main characters, but tons of expendables). They fought through the bitter cold against an army of the damned undead. Now, everyone is relieved and confused – I mean, Lannisters and Starks and Targaryens and Wildlings, it’s almost surreal how far everyone has come to be able to drink to life together in the halls of Winterfell.
So, the revelry is justified. There’s still palpable tension — mostly emanating from Daenerys and mean-girl Sansa, both of whom despise the other, but would do better to realize they’re actually pissed about the same thing: Jon gets an easy pass because he’s a man, and they deserve more credit. Even Tormund, who comes from a non-patriarchal culture, praises Jon for riding a dragon, while they stand literally right in front of Daenerys, who has been doing that all along. Of course Tormund is just kind of a well-intentioned idiot, and he wants to praise his bro, but of course Dany is going to seethe. She doesn’t do well when she’s not actively receiving adoration (or burning people alive in a show of power).
Varys reads the room in that regard, and is the only one who really takes the time to think to check in on the Targaryen usurper Queen’s state of mind.
While our leading ladies of Winterfell are all busy brooding (Sansa pissed off that Daenerys exists, Daenerys sulking that she’s not the centre of adoration, and Arya – the undeniable hero of the last episode – off shooting arrows by herself), Brienne gets to be belle of the ball as she plays a drinking game with Podrick and the Lannister boys. It is lovely, innocent, good-natured, and fun. Until Tyrion makes things AWKWARD by accusing her of being a virgin (which everyone knows is true, but you don’t just say it).
For her sake, Jaime tries to change the subject, but Tyrion does not relent. Tormund, of course, would be more than happy to oblige the “big woman” if a deflowering were all she wanted (it’s not), but Jaime won’t let that happen. He drunkenly follows her to her chambers.
I read enough reviews (written by men) to gouge my eyes out as they comfortably denounced a sexual relationship between Ser Jaime and Ser Brienne. But pardon me while I remind you that, yes, these two characters have had deep feelings for each other and sexual chemistry for years. Just because Brienne doesn’t fit into your idea of what is conventionally feminine or attractive doesn’t mean she can’t get some. By all the gods, they both deserve it.
That wasn’t nearly the only pairing of the night. Some people call this “fan service,” but I think they were pretty much all adequately set up over a very long time. The most fan-servicey was Podrick going off with not one, but two sexy girls (gods, I want to know what he’ll do to them!). But that was all in good fun.
Daenerys, really trying to assert her dominance, calls out Gendry in front of the hall. Everyone looks at him like the kid who gets in trouble in class, but Dany surprises them all by naming him Lord Gendry Baratheon, Lord of Storm’s End.
We haven’t gotten to know Gendry terribly well over the course of the series (honestly, there’s probably not that much to get to know about Gendry “barely knows how to use a fork” Baratheon anyway). Seven hells, he spent several seasons missing, perchance on rowboat. But I felt so sincerely for him, having survived the great battle and named a Lord – a moment he probably feels is the best of his life — as he rushes to find the lady he thinks is a “lady”, and who he thinks – bless him – that he loves.
As Gendry tells Arya what she means to him, it is a premise we’ve been conditioned to desire for female characters. The young, attractive male offers Arya to be a lady. It’s a shame, because Arya does truly care about him. And she’s genuinely happy for him. But she just can’t be the lady he wants her to be.
Aunt and nephew Targaryens meanwhile have a check-in. Jon is basically completely pussy-whipped at this point, so Daenerys’ manipulative strategies to gaslight him into lying about who he is almost work. But his Starkness is too well ingrained in him, and at the drop of a hat, he reveals the truth about his parentage to his siblings.
It is a shame that David Benioff and D.B. Weiss thought this scene was not essential, so we are left to fill in the gaps ourselves. Arya, who after all that Stark-talk leaves unceremoniously with the Hound (not only is Cleganebowl imminent, Arya just might kill off another tyrannical ruler or two), presumably does keep her promise to Jon not to tell his secret. But Sansa, unsurprisingly, cannot contain herself, and tells Tyrion pretty much the first chance she gets.
So now it’s semi-common knowledge. Or anyway, Tyrion and Varys now know the truth that Jon – the more temperate and male candidate for the throne – has the bloodline to claim it and rule the North. Varys finally gets dialogue again, and listening to the two debate over Daenerys’ sanity and who is fit to rule is a refreshing return to the types of discussions we enjoyed in the old days of the show.
Varys makes clear what he has always quietly asserted – that his loyalty is to the realm. Tyrion, blinded by his adoration of Daenerys, doesn’t understand it, just like Ned Stark didn’t in the past. Varys maybe trusts Tyrion too much, and lets slip quite a bit more of his motives than might be safe for him as developments unfold.
Daenerys is completely out of patience, and makes a totally foolish decision, unchecked by any advisor despite Sansa’s pleas, to march on King’s Landing even though her forces are depleted, injured, and exhausted. It is hardly a surprise that her fleet is caught unaware, and she pays for it dearly. Poor Rhaegal, who survived the last episode only to be skewered by Euron Greyjoy, dies brutally. The ships are easy destroyed. And Missandei is taken captive.
The exact how’s and why’s of all this – how Daenerys didn’t see Euron coming, how the Greyjoys found and captured Missandei in the chaos, why Euron didn’t finish off the survivors – are messy. Somehow Daenerys and remaining crew transport back to Dragonstone. Dany is just about ready to kill everyone in King’s Landing, but here she will make her final compromise, and she agrees to meet with Cersei.
When Jaime hears about this, he decides to leave his new girlfriend at once, and ride back to King’s Landing. Brienne begs him to stay, but Jaime’s gotta do what Jaime’s gotta do. The motives are not totally clear – whether Jaime wants to fight for his “hateful” sister, or against her with their brother, or if he’ll figure it out on the fly. The dynamics, like Jaime’s character, are conflicted. Poor Brienne is left out in the cold.
Daenerys is obviously in no position to demand anything. Her little force of remaining Unsullied is frankly embarrassing outside the gates, as Cersei – looking glorious as ever – stares down the dragon girl, with her hostage and her Greyjoy boyfriend and her Golden Company and her giant dragon-killing crossbows. (Imagine if there were elephants!)
A lot of fans were upset at some combination of character logic here, but everyone acted in accordance with their blueprints. Daenerys is in no position to demand anything, but her god-complex allows her to jump into this meeting with no leverage or game-plan. Cersei, ever-arrogant, allows this meeting because it makes her look damn good. As she said in the past, “power is power,” and she gets off on that. And Tyrion appeals to Cersei out of desperation, not because he necessarily expected more from her.
Tyrion and Qyburn are both as blindly devoted to their mad queens, having both been rewarded for their devotion by being named hand, so Tyrion recognizes that trying to reason with Qyburn is futile. He can only try to go to the source. But sadly, that tactic did not work out.
Cersei could hardly do anything but murder Missandei in this position. What, was she going to surrender? No way. Was she going to free Missandei? Why would she strategically do that? Daenerys and Tyrion don’t appear to be quite so big a threat anymore, and they have literally nothing to offer her.
With Missandei’s tragic (but inevitable) death, and her final words of “Dracarys!” we are ensured a bloodbath will ensue in the penultimate episode of the show.
Some things that don’t make sense, and some that do.
- Why doesn’t Daenerys see Euron’s fleet before they shoot her dragon? Although she appears distracted for a few seconds, that would not be enough time for a fleet to sneak up on her. It does not make sense. That whole scene doesn’t quite add up.
- Daenerys’ plan doesn’t make any sense at all. She does show some cleverness in the beginning of the show, but the dragonfire in her heart causes reason to go out the window. Even before her capture, Missandei isn’t there to speak up and temper her. And with Jorah gone, so goes that last shred of real humanity that Dany possessed.
- It DOES make sense that Cersei allowed a meeting with Daenerys, as both historically and in the show leaders of forces have done that from the beginning. It makes her look good to her subjects, it makes her look good to her forces, she gets to size up her opponents, and she gets to assert her dominance. She doesn’t murder them all right there because, despite how ruthless she is, she doesn’t needlessly murder people. (I know, but follow me here.) Wildfire at the Sept, the massacre at Highgarden, these were things she considered necessary as there was no other way out. She’s not Joffrey – she doesn’t irrationally murder when there is a better option. For Cersei, the better option is to let them live, to let Daenerys choose to attack anyway, and to defend the people against a usurper. She has almost no reason to believe that she might lose – except for a lingering thought of a prophecy from long ago, and if that prophecy comes to pass, then it must come to pass.
- It sadly does make sense that Missandei dies while in chains, insomuch as it provokes Dany’s (white) saviour complex. However, it doesn’t make it racially sensitive or justified when people of colour have not been given great consideration in the show.
So, who will wind up on the Iron Throne?
Part of viewers’ discomfort with this episode is in the realization that all rulers are flawed. As Cersei squares off against Daenerys, it is hard to say who would actually be a worse ruler. Though their stories are unique, their despotism is too similar. Next week’s episode will be a lose-lose situation, with many casualties in store no matter how the chips fall. Whoever wins, the realm loses.
The best-case scenario may be Jon, the reluctant ruler and the one with the “best claim” to the throne. He doesn’t want it, but Varys points out that might be a good quality in a leader. However, would Jon actually be a decent king? Or would he prove as fallible as his father-uncle Ned? Would his Stark-headedness and penchant for honour get him killed a second time before he even got a chance to make any positive political reforms?
It’s possible that Gendry could even skate in under the radar, now that his lineage is common knowledge. Though he’s absolutely clueless, his heart is in the right place, and he might be the best of all evils.
This is all assuming that the throne remains intact. If there are any survivors in this “final war,” someone is sure to take leadership, one way or the other.
To sum it up…
Last week’s “Battle of Winterfell” left a lot of feelings in its wake. Whether you thought it was the best episode or the worst, fans are divided and volatile like never before. With the threat of the undead army gone, the show’s focus returns to politics and interpersonal relationships. This is naturally less epic, and spits in the face of what many fans thought the point was all along. That vying for the throne, for power, is irrelevant in the face of a more serious threat to humanity itself.
But that threat is gone – whether permanently or just for now. And who is to say that the audacity of a swift return to selfish powerplays doesn’t completely support that “moral,” if Game of Thrones had one to begin with.
The biggest tragedy of the show is the creators’ need to rush through actions, truncating and amputating what could be rich dialogue, tense or heartfelt scenes, and characters that deserve more.
Actually the biggest tragedy…
The single worst thing the creators have done in the show was to write-off Ghost for several seasons, only to throw him carelessly in a few seconds of a few episodes, only to have Jon send him away without so much as a “good boy” or a pat on the head. Ghost fought for his master, he got mangled for his master, but he’s been used, abused, and dropped harder than Jaime dropped Brienne. Don’t give me any talk about budget – if you can animate DRAGONS and digitally remove a coffee cup from a scene, you can at least give me thirty seconds where Jon says a proper goodbye to his faithful direwolf.
Ghost, you are a good boy. And the North remembers.
Game Of Thrones Season 8 Episode 3 Review: “The Long Night”
Spoiler Alert! This review contains details about Game Of Thrones season 8 episode 2: The Long Night. Please turn back if you want to avoid reading any spoilers.
The night is dark and full of terrors. Winter is coming. ValarMorghulis. Winter is here. We have been warned for eight years via catch-phrase, through rallying cries, and through theatrical plot arc that the dead are coming, and that this real threat is more important than petty squabbling over an Iron Throne.
But the long winter only lasted a little more than eighty minutes. Winter has come, and gone. The big threat of the show, it turns out, was defeated pretty damn quickly. Even with all the build-up – eight seasons’ worth – it still managed to feel like premature ejaculation.
That is only one – huge – issue with “The Long Night,” of which there are several. And that is why it was so challenging to write this particular review. Because the episode really was enthralling and epic, because there were moments of real cinematic greatness, and because a girl’s final, saving action continues to make my eyes swell whenever I think about it. But at the same time, the episode was so utterly disappointing in so many ways that matter.
Take the darkness. I personally did mind it so much, apart from the confusion revolving the fates of certain characters. (Wait, how many dragons are dead? Who is that? What’s going on?) But the darkness was also used to brilliant effect. The flaming swords of the Dothraki – blessed by the Lord of Light, charging into the unseen threat, and extinguishing silently – was fantastic horror and beautiful suspense. The shots following the dragons through a raging, magic winter blast were as disorienting for us as it was for Daenerys and Jon, and thrillingly so. But many fans found the amount of darkness unforgivable, making the episode nearly unwatchable.
And then there was, of course, the lack of any major deaths. Sure, hoping for death just for the sake of it, chasing our Ned Stark/Red Wedding/Mountain vs Viper highs like junkies, is not reason alone for television writers to fulfill our bloodlust. However, it is not simply Walking Dead-style gratuitous death that fans yearn for – it’s realistic consequences. And given the almost incomprehensible vastness of the army of the dead, it is mind-boggling even to consider how few of our main cast perished, even if so many “red shirts” saw their final night.
Take Samwell Tarly, whose blundering incompetence gets Lord Commander Edd killed early on in the episode, but somehow survives against the undead horde by flailing a dragonglass dagger for an hour or two.
I don’t buy it.
I don’t buy that Sam and Tormund and Brienne and one-handed Jaime Lannister and basically every important character in the crypts and Greyworm are all still breathing. I don’t buy that Daenerys saves Jon Snow at the last possible moment from the Night King’s horde right before Daenerys is saved at the last possible moment by Jorah Mormont, who is out there alone exactly where Daenerys is at precisely the right moment. I can buy deus ex machina in small doses – the actual divine intervention from the Lord of Light, for instance. But there was just too much here.
Of course, as I brought up above, some characters did die – Edd, Beric Dondarrion, Theon, majority of the Dothraki horde, a pair of Mormonts, and Melisandre. But they were all easily expendable. The Dothraki have had literally no character at all for seasons, their terrifying barbarianism diminished to silent and generic bodyguards. The others, meh. Sure, you might have shed a tear for Theon or Jorah, or even for Melisandre, but their arcs are complete.
And then there are so many logical gaps, proving how sloppy the writing has truly become. The collective strategy was appalling. Sending the Dothraki out to be slaughtered immediately? Setting up trenches that were so narrow and easy to pass through? Resting the fate of the entire plan on Bran, Theon, and a handful of archers?
Putting people in the crypts for safe-keeping against a lich-king? Unforgivably dense. The fate of Ghost or Rhaegal? Lazily uncertain. How Arya even got to the Night King? Intentionally mysterious. Don’t even get me started on the Azor Ahai prophecy, which is now ultimately and utterly irrelevant.
When Game of Thrones tells us that so many of these things don’t matter, we have to wonder whatever really did matter to begin with? And what are the stakes for the remaining episodes? Why do we even care anymore?
But then there is the wonder of it — the feeling of awe in watching the episode. The production value is truly remarkable, taking eleven weeks to shoot and $15 million to create. There has never been an episode of television so cinematic or epic in scope. Miguel Sapochnik’s direction is so beautiful and Ramin Djawadi’s score is a masterpiece.
Feeling the dread, communicated largely without words, of impending death in the face of a seemingly insurmountable adversary and watching dragons in flight and fire. Seeing our beloved characters battle for their lives. Lyanna Mormont, on the brink of death, stabbing an undead giant in the eye. This high-fantasy is incomparable, the stuff of legend.
And then there are the feminist MVP’s, Melisandre and Arya. Game of Thrones has done so much to normalize the power that female characters can hold, that it is hard to believe or remember that even ten years ago it would have been ridiculous for a girl to defeat the big villain.
Maybe in a novelty, sexualised, Xena Warrior Princess way. Maybe, sometimes, in a throw a-girl-a-bone way, like Eowyn defeating the Witch-King (“I am no man!”), not the most important adversary. But not in the way that Arya Stark was allowed to have an ungendered hero’s journey all her own.
From the very beginning of the show, Arya has asserted that she wanted more than a traditional feminine life. “That’s not me,” she told her father when he told her his expectations of her growing into a noblewoman and raising a family. “Boy, girl, you are a sword,” dancing master Syrio Forel told her in the same season. And since then, through everything, Arya has grown, bled, learned from exceptional teachers, and ultimately became a master of what she does. No one questions her gender. She is autonomous. She is a badass.
Of course, in the face of overwhelming odds, she needed a short pep-talk from Melisandre to remember what she is capable of. So, in addition to bringing fire in the darkness, Melisandre was the key player in the Battle of Winterfell. Forget Theon, that is a redemption arc.
The very best moment of the episode is also the very worst. Arya performing her signature move and plunging the Valyrian steel dagger into the Night King – single-handedly defeating him and the legion of White Walkers in one move – both betrayed everything Game of Thrones has been leading up to, and beautifully brought everything in her entire arc into fruition and saving the survivors from the dead.
Some other thoughts:
- Basically throwing away the lives of the Dothraki and the Unsullied was not only brazenly stupid, but horrible racially. Putting the only people of colour on the front lines without comment is inexcusable.
- Although this episode picks up immediately after “A Knight of the Seven Kingdoms,” Daenerys was able to compartmentalise and prioritise. However, there is definitely some unfinished business regarding Jon’s lineage. And with Jorah’s death, so goes the last reasonable advisor that Dany actually listens to.
- Cersei took it easy in King’s Landing while events unfolded in Winterfell. If the undead army had made its way South, it would have seemed truer to the material, and Cersei would have been faced with the consequence for her selfish action (or inaction). Instead, there are no consequences for her. In fact, she’s in a better place now having not stood up for humanity. Daenerys is in a really rotten position to take the throne. It is even possible, however unlikely, that Cersei could win. (She won’t, but I want her to.)
- A lot of couples will be reunited in the aftermath of the battle. Greyworm and Missandei, Samwell and Gilly (I can’t believe any/all of those characters are still alive). Dany and Jon have some things to sort out, but maybe they’ll continue their incestuous affair. They are Targaryens after all. We’ll see whether Arya just saw Gendry as a pre-death fling, or if the Stark-Baratheon romance will become official. The Jaime/Brienne/Tormund love-triangle (it’s not really a love triangle: sorry fans, Brienne is just not into Tormund) still exists. Some sparks even ignited between Sansa and Tyrion in the crypts, so a sincere Stark-Lannister union is not impossible.
- Daenerys’ army is nearly destroyed, her dragons are injured, and she just lost her closest advisor. If she wants to take the Iron Throne, she is going to have to relinquish the North to the Starks in exchange for their support.
- I know I mentioned this briefly already, but it really is inexcusable how they showed Ghost for all of five seconds and then never again.
My final thought:
Game of Thrones has always profoundly dealt with death and mortality. The character who most openly encompasses death is also the one who defeated the undead King himself. There were many missed opportunities here regarding this theme. Not just in the lack of defined existential dread from our characters, and not just from lack of important character deaths, and not even in the Night King’s ultimately limited threat. But imagine if our living characters actually had to fight some other of our beloved characters, as White Walkers.
If Daenerys had to stab undead Jorah to protect herself, if Beric would have reanimated, or if the corpse of Lyanna Stark had attacked Sansa. In a show that has always been about looking death in the face, it pulled some serious punches here. And for a show that always pushed boundaries and made us suffer through loss and examine our own brief lives, taking the artistically easy way out did a disservice to the entire series, cheapening it.
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